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THIS POST HAS BEEN ARCHIVED. THE INFORMATION AND DETAILS MAY NO LONGER BE RELEVANT.

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The Story Behind the New York Times October 7 Exposé

“BETWEEN THE HAMMER AND THE ANVIL” The story behind the October 7 exposé in the New York Times.

Anat Schwartz had a problem. The Israeli filmmaker and former air force intelligence official had been assigned by the New York Times to work with her partner’s nephew Adam Sella and veteran Times reporter Jeffrey Gettleman on an investigation into sexual violence by Hamas on October 7 that could reshape the way the world understood Israel’s ongoing war in the Gaza Strip. By November, global opposition was mounting against Israel’s military campaign, which had already killed thousands of children, women, and the elderly. On her social media feed, which the Times has since said it is reviewing, Schwartz liked a tweet saying that Israel needed to “turn the strip into a slaughterhouse.”

“Violate any norm, on the way to victory,” read the post. “Those in front of us are human animals who do not hesitate to violate minimal rules.”

The New York Times, however, does have rules and norms. Schwartz had no prior reporting experience. Her reporting partner Gettleman explained the basics to her, Schwartz said in a podcast interview on January 3, produced by Israel’s Channel 12 and conducted in Hebrew.

Gettleman, she said, was concerned they “get at least two sources for every detail we put into the article, cross-check information. Do we have forensic evidence? Do we have visual evidence? Apart from telling our reader ‘this happened,’ what can we say? Can we tell what happened to whom?”

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Jeremy Scahill is a Senior Correspondent and Editor-at-Large at The Intercept. He is one of the three founding editors. He is an investigative reporter, war correspondent, and author of the international best-selling books, “Dirty Wars: The World Is a Battlefield” and “Blackwater: The Rise of the World’s Most Powerful Mercenary Army.” He has reported from Afghanistan, Iraq, Somalia, Yemen, Nigeria, the former Yugoslavia, and elsewhere across the globe. Scahill has served as the national security correspondent for The Nation and Democracy Now!. Scahill's work has sparked several congressional investigations and won some of journalism’s highest honors. He was twice awarded the prestigious George Polk Award, in 1998 for foreign reporting and in 2008 for “Blackwater.” Scahill is a producer and writer of the award-winning film “Dirty Wars,” which premiered at the 2013 Sundance Film Festival and was nominated for an Academy Award.

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